Bigger Bach Set

Tracks

1. Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903) 6:25
2. Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948) 4:59
3. Italian Concerto, BWV971: i. Allegro 4:12
4. Italian Concerto, BWV971: ii. Andante 5:04
5. Italian Concerto, BWV971: iii. Presto 4:00
6. Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends t 1:49
7. Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell 1:17
8. Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends) 2:27
9. Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His f 0:27
10. Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione 1:05
11. Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione 2:19
12. Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin 2:47
13. Toccata in C Minor, BWV911 10:06
14. French Suite No. 3 in B Minor BWV814: i. Allemande 2:07
15. French Suite No. 3 in B Minor BWV814: ii. Courante 1:23
16. French Suite No. 3 in B Minor BWV814: iii. Sarabande 2:35
17. French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio 1:22
18. French Suite No. 3 in B Minor BWV814: v. Gavotte 2:58
19. French Suite No. 3 in B Minor BWV814: vi. Gigue 1:14
20. French Suite No. 4 in E-flat Major, BWV815: i. Allemande 1:20
21. French Suite No. 4 in E-flat Major, BWV815: ii. Courante 1:15
22. French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande 1:33
23. French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte 1:06
24. French Suite No. 4 in E-flat Major, BWV815: v. Air 1:24
25. French Suite No. 4 in E-flat Major, BWV815: vi. Menuet 0:58
26. French Suite No. 4 in E-flat Major, BWV815: vii. Gigue 2:30
27. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme 7:15
28. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt 1:12
29. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil 6:04
30. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake') 4:39
31. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir 1:48
32. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein! 4:14
33. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen 1:55
34. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden 5:45
35. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt 3:51
36. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn 2:03
37. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg 2:33
38. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm 3:48
39. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest 1:56
40. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl 1:18
41. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein 2:51
42. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt 6:01
43. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor 1:29
44. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt 2:20
45. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht 1:26
46. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr 0:45
47. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir 4:34
48. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib 5:35
49. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken 1:08
50. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren 9:23