Calm Classical
by Dawn Upshaw on Music CopyrightChains v9.4
Release Date:
Tracks
- Faisal (London Bridge Station)
- In Retrospect
- Beving: The Gift
- Copland: Appalachian Spring: I. Very Slowly
- Kluge: Dreams and Echoes
- Bach, JS: Keyboard Concerto No. 3 in D Minor, BWV 974: II. Adagio (After Marcello's Oboe Concerto, S. Z799)
- The Four Seasons: Spring 1
- Eileen
- Marcello, A: Oboe Concerto in D Minor, S. Z799: II. Adagio
- Richter: A Catalogue of Afternoons
- Satie: Gymnopédie No. 3
- Vaughan Williams: The Lark Ascending (Excerpt)
- Long lost friend
- Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 1, Dawn
- Williams: Indiana Jones, "Raiders of the Lost Ark": Marion’s Theme
- Yesterday (Arr. Takemitsu for Guitar)
- Canteloube: Chants d'Auvergne, Vol. 1: No. 2, Baïlèro
- Tape
- Von Paradis / Arr. Dushkin: Sicilienne
- Rondeau: A Deep Glance (From "Paula")
- Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines
- Satie / Arr. Barker & Balsom for Trumpet and Jazz Orchestra: 6 Gnossiennes: No. 3, Lent
- La valse d'Amélie (From "Amélie")
- Strauss: 4 Lieder, Op. 27: No. 4, Morgen!
- Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": I. Kyrie
- Chen: Iris dévoilée: I. Ingénue
- Pärt: The Beatitudes
- Burgon: Nunc dimittis
- Barrios Mangoré: Julia Florida
- Carissimi: Jephte: "Plorate fili Israel" (Arr. Johns for Choir and Cello Ensemble)
- Janáček: On an Overgrown Path, Book I: No. 9, In Tears
- Gershwin / Arr. Barbosa-Lima for Guitar: 3 Preludes: No. 2, Andante con moto "Blue Lullaby"
- Debussy: Images, Livre I, CD 105, L. 110: No. 1, Reflets dans l'eau
- Tormis: Swing Songs: No. 2, The Sea Under the Swing
- Saint-Saëns: 2 Chœurs, Op. 68: No. 1, Calme des nuits
- Pärt: Für Alina
- Byrd: Gradualia ac cantiones sacrae, Liber I: No. 37, Ave verum corpus
- Bach, CPE: Flute Concerto in D Minor, Wq. 22: II. Un poco andante
- Vierne: Messe solennelle, Op. 16: Agnus Dei
- Jiping: Spirit of the Peacock (From "Sunbird")
- Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante